Paris – Venise
“Paris – Venise by Chanel is a Oriental fragrance for women and men”
The Quick Read
Well loved by wearers — a citrus, powdery composition with a iris undertone. Voted best for spring and summer wear — and genuinely unisex.
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Launched in 2018 and crafted by Olivier Polge, Paris – Venise and men by Chanel is an Oriental fragrance that weaves together vibrant citrus notes with powdery, sweet accords. The composition opens with a bright burst of lemon, bergamot, and orange, followed by the aromatic complexity of petitgrain and pink pepper. These fresh spicy top notes give way to a heart of iris, neroli, rose, ylang-ylang, and geranium, creating a floral bouquet that is both delicate and enduring. The base notes of white musk, tonka bean, vanilla, violet, orris, and benzoin add warmth and depth, grounding the fragrance with a soft, powdery embrace.
Composition & Character
Notes Pyramid
Top
Opening
Heart
The Soul
Base
Foundation
How It Wears
Application Tips
This fragrance blooms best with multiple layers. Apply it liberally on your pulse points for an enduring warmth that lasts through the day. The citrus notes are bright but fleeting, so reapply as needed to maintain its freshness.
Olivier Polge
Founding perfumer · 158 fragrances · French

Olivier Polge is a French perfumer. He is the house perfumer for Chanel and has created fragrances including Misia, Boy, and Chanel No. 5 L'Eau.
Also created
About the Brand
Chanel
The epitome of French elegance and timeless sophistication
Founded by Gabrielle 'Coco' Chanel, the house has defined luxury perfumery through restraint, precision, and abstract elegance. From the revolutionary No. 5 to modern classics like Bleu de Chanel, Chanel fragrances are known for their refined, wearable luxury.
Designer Chanel
More from Chanel
Edited by Scentsation Editorial
The story behind the bottle.
The sunlit corridors of a Venetian palace, where bright citruses and spicy aromatics meet the soft, powdery warmth of an opulent interior.
Fig. 01 — Paris – Venise, Chanel
Where to buy.
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