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Lanvin · Sold as feminine
Eclat d’Arpège
A bright office morning, where the air feels crisp and fresh, yet subtly enhanced by floral notes.
Full bottle: Mid-range tier, typically $40–100. Links open each seller's own page. We may earn a commission; it never changes the order.
Eclat d’ArpègeMid-range · $40–100
44%Similar accords, often for lessMira · ALREHAB PERFUMESBudget tier, under $40 · shares 5 of its 8 notes8 matches →How it wears
From community votes · bars are each option's shareComposition & Character
Notes Pyramid
The story behind the bottle.
Eclat d’Arpège by Lanvin, launched in 2002 and crafted by perfumer Karine Dubreuil-Sereni, is a Floral Fruity fragrance that has earned its place among the most reviewed scents. This composition opens with fresh and green accords that give way to floral and fruity notes, creating an inviting and vibrant atmosphere. Eclat d’Arpège often draws comparisons to Dolce & Gabbana Light Blue, with enthusiasts debating whether it serves as a more floral alternative to that mainstream hit.
Given its moderate longevity and sillage, a single spray is usually sufficient to capture its essence. This fragrance pairs well with daytime activities but might need reapplication for extended wear.
Fig. 01 — Eclat d’Arpège, Lanvin
Where to buy.
Wear it for a week first
A decant costs a fraction of a bottle and tells you how it lasts on your skin.
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Karine Dubreuil-Sereni
Grasse's jasmine, in every compositionKarine Dubreuil-Sereni was born and raised in Grasse, surrounded by jasmine, orange blossom, mimosa, rose, and iris, and trained at Roure Bertrand Dupont, now Givaudan.
The Eclat d’Arpège line
16 fragrances, compared side by side
Designer Lanvin
More from the house · France
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Love it, not the price?
Matched by accords and notes. Sample first, then decide.


With Lanvin Vetyver (1964)
Adds aromatic, woody and citrus; shares petitgrain and cedar.
Suggested from accords and notes · not yet tried by wearers
What people
are saying.
Respected, if divisive: loved by 28%, disliked or hated by 17%.











































